Posted by: David Harley | July 21, 2012

Index to Words & Music Pages

Verse and music on this page are slowly being transferred to different blogs, imaginatively entitled David Harley’s Songs (which opens to an index of the songs) and David Harley’s Verse, and in fact there’s already a whole more information there. However, it might start to find its way back as I try to rationalize my output. :) If you’re only interested in the security-related stuff, you might want to shoot over to my Small Blue-Green World page.

Contact email: info[at]dharley.com

Here’s a close-to-full list of the other Small Blue-Green blogs:

I suppose you could call this my vanity site. It’s maintained as a resource for my music and for writing that isn’t (usually) directly connected to my ‘real’ job  as an IT security author/consultant. (If you’re actually interested in the security stuff, see the links at the end of this post.) Just to be clear, none of this material is in the public domain, and all rights are reserved. I hope you enjoy listening to/reading it but if you actually want to use it in any commercial context, unlikely as that may sound, you are honour-bound and legally required to ask me first: you can email me at info[at]dharley.com. Or via Small Blue-Green World, which is me wearing my business head.   

Recording Sessions:

Diverse Brew Sessions:

  1. One Step Away From The Blues
  2. True Confessions
  3. Heatwave

Scriptwrecked Sessions

Sheer Bravado Cassette:

  1. Long Stand
  2. Speak My Heart
  3. The Weekends
  4. Dives and Lazarus
  5. The Butterfly (slip jig)
  6. Paper City
  7. Sheer Bravado
  8. View From The Top
  9. She’s Gone
  10. So Much For Romance
  11. Circle
  12. Blues For Davy

More recent recordings (not commercial quality): as of 12th May 2014, the listings for this are somewhat out of date.

Songs Without Music:

Demo Recordings

Quick and dirty recordings of songs I hope to revisit and spend more time on a better version. Home-recorded on BOSS digital gear which I hope to have time to learn to use properly Real Soon Now. Just one song – Bootup Blues – there at the moment, though two of the recordings added to the Songs Without Music page also qualify and will probably get moved shortly:

Settings of poems (unaccompanied demo versions)

Other Writing

Miscellaneous Prose

Verse or Worse

Folk Resources

At the moment, this page consists of a floor-singer’s tipsheet a number of us compiled in the late 1990s, and a reference to a later version – not sure where that comes from, but it wasn’t me. As I seem to spending a lot of time with old folkies these days, it may be that other things might find their way onto this page in due course.

Parodies Regained

…could have been a separate page here, I suppose, but it isn’t, for historical reasons. Anyway, here’s a list of what’s there at present:

Security-related publications

Security-related publications aren’t kept on this site now. Most of my recent papers are available or linked from the ESET resources pages including white papers, conference papers, and articles for external publications and sites. Mac and other Apple-related resources are mostly kept at the Mac Virus site. Some other papers and information on some of my security books can be found on the Small Blue-Green World blog page.

Posted by: David Harley | January 14, 2020

Accelerated Lady [demo]

This is a song I haven’t really thought about since the 70s, but it turned up when I started to (try to) rationalize my boxes and folders of lyrics, verse and prose, so I put it straight down as-is.

Between the bar and the dance floor / Thinking that maybe
I might just catch up / To my accelerated lady

Why don’t you keep on dancing? / Dance on by

Watching you at a party / Too drunk to see
What it might take / To make you come and talk to me

But you’d better keep on dancing / Dance on by

What makes you think / I should apologise
For once drowning / In those bedroom eyes

Why don’t you keep on dancing? / Dance on by

Lights run hot / But the bottle’s not yet dry

With a little luck and whisky I’ll forget / even your name by midnight

Better keep on dancing / Dance on By

 

David Harley

Posted by: David Harley | January 14, 2020

Two is a Silence [demo]

I previously recorded a fairly polished version of this, complete with double-tracked vocals and bouzoukis. This is a quicker-and-dirtier version that has, however, the words as I sing them now…

Two isn’t company, three is a crowd
Two is a silence, three is too loud
Two is a silence gets harder to break
But three always leaves one left over

Three into two isn’t good for the head
It’s no problem in math, but it’s bad news in bed
And it’s one for an ace and two for a pair
But three always leaves one left over

When we’re alone somehow he’s always there
You say it’s the same when you two are the pair
So it’s one for sorrow and two for joy

But three always leaves one left over

All the shouting is over and dead
Somehow there’s nothing much else to be said
And it’s one for the money and two for the show
But three always leaves one left over

Two isn’t company, three is a crowd
Two is a silence, three is too loud
Two is a silence gets harder to break
But three always leaves one left over

David Harley

Posted by: David Harley | December 29, 2019

Demo: They hang the man and flog the woman

The Inclosure Acts enabled the passing into private hands land that had previously been designated as either ‘common’ or ‘waste’. This process preceded by several centuries the formal Inclosure Acts (which began with an Act if 1604) and continued into the 20th century, resulting in the enclosure of nearly seven million acres. While enclosure facilitated more efficient agricultural methods, that increased efficiency and loss of communal land was a factor in the move of so many agricultural labourers into towns. There are a number of variations of this poem, which is usually assumed to date from the 1750s or ’60s, when enclosure legislation started to accelerate dramatically. The tune here is mine: I haven’t yet learned it properly, so not a polished performance. :)

There’s a relevant thread on Mudcat here.

They hang the man and flog the woman
That steal the goose from off the common,
But let the greater villain loose
That steals the common from the goose.

The law demands that we atone
When we take things we do not own
But leaves the lords and ladies fine
Who take things that are yours and mine.

The poor and wretched don’t escape
If they conspire the law to break;
This must be so but they endure
Those who conspire to make the law.

The law locks up the man or woman
Who steals the goose from off the common’
And geese will still a common lack
Till they go and steal it back.

Words by Anonymous, tune by David Harley

Posted by: David Harley | December 8, 2019

The Bonny Boy [demo]

The Bonny Boy

Castles and Kings with rough gtr part

Better take of ‘The Bonny Boy’

Posted by: David Harley | November 4, 2019

Epitaph for an Army of Mercenaries (rough mix)

Posted by: David Harley | November 3, 2019

The Pilgrim reconsidered [demo x2]

Trying out two slightly different arrangements for The Pilgrim (setting of a Yeats poem)

Different mix:

3rd mix:

And another pass at ‘The Wild Swans At Coole’:

Revisiting ‘When I was’ (part 1) – a cappella harmonies

 

Posted by: David Harley | October 30, 2019

Anywhere [demo]

Another from my recent flurry of lyric writing and editing.

Anywhere (words and music copyright David Harley, 2019)

I could catch a bus to anywhere
And never think of missing this old town
Instead I’m sitting in a bar right here
Scared to play my last go-round
Last dream smashed and short of cash
Nursing one last beer
Hoping for a bus to anywhere
Anywhere at all but here

I could take a train to anywhere
Shake this country dirt from off my shoes
Turn my face away from nowhere
Trading up to city views
Had enough of you and all you put me through
Pretty sure you’ve had enough of me
Time to take a train to anywhere
Anywhere I know that you won’t be

I could hitch a ride to anywhere
And surely I won’t miss this empty town
Right now I’m sitting in this tired old bar
All set to play my last go-round
Last dream smashed and short of cash
Nursing one last warm beer
Maybe I can catch a ride to anywhere
Anywhere at all that isn’t here

David Harley

Posted by: David Harley | October 29, 2019

Chickens they are crowing (Roud 3650) [demo]

Something a little off-piste for me: a song collected by Cecil Sharp in the Appalachians. Sarah McQuaid does a version of this, I think from Peggy Seeger. This version comes from Guy Carawan – oddly enough, from an LP he recorded with Peggy Seeger. However, he sang it unaccompanied (though he did interpose some passages on recorder).

 

Posted by: David Harley | October 29, 2019

We never will have Paris [demo]

In making-the-tune-up-as-I-go-along mode. The lyric isn’t quite finished either. But going in the right direction.

 

We never will have Paris (Harley: ©2019)

 I know that this is going nowhere
But a honeymoon in Heartbreak Hotel
Yet it seems that all I’ve done is think about you
For longer years than I have words to tell

Sometimes I catch myself hoping
Just once more to see you smile
In spite of all the harsh words passed between us
And all these long and weary miles

Perhaps you’re on your own tonight
Somewhere out there in the rain
Caught between the raindrops, still hoping
You’ll never be this sad again

Again and again along the highway
We kissed at the turning of the road
Till somewhere I forgot to say goodbye
Walking down some sleepy highway on my own

I know we never will have Paris
Or even one more foggy day in London Town
I wonder if you ever wonder
If the going up was worth the coming down

David Harley

 

 

Posted by: David Harley | October 28, 2019

Weekends new tune

The Weekends [are the worst] (Harley)

The world has changed since I was born in 1902.
Two World Wars have swept away the world that we once knew:
Two brothers and three sisters , long dead and gone to earth
Our lives were often hard, but now the weekends are the worst.

My old man died just 20 years past.
His health was never good since the Kaiser had him gassed,
But in the end it was cancer that carried him off so fast
I miss him all the time, and the weekends are the worst.

You might say I was lucky, though we never had much cash,
But we had 50-odd good years, more than I’d dare to ask.
I brought up three lovely kids, though another died at birth:
I miss them all a lot, and the weekends are the worst.

I’ve a son in Melbourne, he’s been there since ’62:
I’ve never seen his wife or kids, just a snapshot or two.
My eldest died in the last lot, on a convoy to Murmansk:
It still brings tears to my eyes, and the weekends are the worst.

I’ve a daughter in Glasgow: she writes when she has time,
But that’s a long way off, and I’ve not seen her for a while.
She’s got a son in the army, just been posted to Belfast:
We worry all the time, and the weekends are the worst.

My friends are mostly dead, or else they’ve moved like me
When the street I was brought up in was pulled down in ’63.
Sixty years I’d lived there, child, girl and wife:
Sheltered housing’s not so bad but it can be a lonely life.
Especially since Jim died: we weren’t too bad at first
But now I’m on my own the weekends are the worst.

There’s the club once a week, though it’s just from seven till nine,
And since my fall they only fetch me down from time to time.
There’s my knitting and the TV, for what that might be worth,
But I miss the company, and the weekends are the worst.

David Harley

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