Posted by: David Harley | July 21, 2012

Index to Words & Music Pages

Verse and music on this page are slowly being transferred to different blogs, imaginatively entitled David Harley’s Songs (which opens to an index of the songs) and David Harley’s Verse, and in fact there’s already a whole more information there. However, it might start to find its way back as I try to rationalize my output. :) If you’re only interested in the security-related stuff, you might want to shoot over to my Small Blue-Green World page.

Contact email: info[at]dharley.com

Here’s a close-to-full list of the other Small Blue-Green blogs:

I suppose you could call this my vanity site. It’s maintained as a resource for my music and for writing that isn’t (usually) directly connected to my ‘real’ job  as an IT security author/consultant. (If you’re actually interested in the security stuff, see the links at the end of this post.) Just to be clear, none of this material is in the public domain, and all rights are reserved. I hope you enjoy listening to/reading it but if you actually want to use it in any commercial context, unlikely as that may sound, you are honour-bound and legally required to ask me first: you can email me at info[at]dharley.com. Or via Small Blue-Green World, which is me wearing my business head.   

Recording Sessions:

Diverse Brew Sessions:

  1. One Step Away From The Blues
  2. True Confessions
  3. Heatwave

Scriptwrecked Sessions

Sheer Bravado Cassette:

  1. Long Stand
  2. Speak My Heart
  3. The Weekends
  4. Dives and Lazarus
  5. The Butterfly (slip jig)
  6. Paper City
  7. Sheer Bravado
  8. View From The Top
  9. She’s Gone
  10. So Much For Romance
  11. Circle
  12. Blues For Davy

More recent recordings (not commercial quality): as of 12th May 2014, the listings for this are somewhat out of date.

Songs Without Music:

Demo Recordings

Quick and dirty recordings of songs I hope to revisit and spend more time on a better version. Home-recorded on BOSS digital gear which I hope to have time to learn to use properly Real Soon Now. Just one song – Bootup Blues – there at the moment, though two of the recordings added to the Songs Without Music page also qualify and will probably get moved shortly:

Settings of poems (unaccompanied demo versions)

Other Writing

Miscellaneous Prose

Verse or Worse

Folk Resources

At the moment, this page consists of a floor-singer’s tipsheet a number of us compiled in the late 1990s, and a reference to a later version – not sure where that comes from, but it wasn’t me. As I seem to spending a lot of time with old folkies these days, it may be that other things might find their way onto this page in due course.

Parodies Regained

…could have been a separate page here, I suppose, but it isn’t, for historical reasons. Anyway, here’s a list of what’s there at present:

Security-related publications

Security-related publications aren’t kept on this site now. Most of my recent papers are available or linked from the ESET resources pages including white papers, conference papers, and articles for external publications and sites. Mac and other Apple-related resources are mostly kept at the Mac Virus site. Some other papers and information on some of my security books can be found on the Small Blue-Green World blog page.

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Posted by: David Harley | August 4, 2019

Freeze Frame [initial demo]

Finally finished(-ish) the tune. Now I just have to learn it/sing it properly.

Words and music by David Harley, copyright 1986

It’s a bitter-sweet light blue affair
Caught halfway between hope and despair
A tear for joy or a twisted smile
An elegant pose in the classic style
That echoes reality

It’s a strange ambiguity
Caught between life and parody
A stolen kiss, a moment of magic
Frozen between the comic and tragic
A haunting half-memory

What can we tell from these soft-focus nights
Of what might be real and exactly what’s right?
What can we learn from what we might see
On an under-developed transparency?
Only the questions are clear
Like “Where do we go from here?”

It’s a bittersweet light blue affair
A flash of future, of time we could share
A tear for joy or a twisted smile
An elegant pose in the classic style
Transcending reality
That can be what you want it to be

David Harley

Posted by: David Harley | August 1, 2019

Low In The Water [demo]

This is a somewhat misogynistic song I’ve never sung in public, perhaps in case someone assumed it was autobiographical. But since I was quite enjoying playing slide again…

Here’s a much older electric version, recorded on much cheaper equipment…

Early in the morning
Shaking in my shoes
Coming down with cherry fever
And the rotgut brown ale blues

I’m low in the water
I’m low in the water
I’m low in the water
But I ain’t sinking yet

Another Sunday morning
Another one night stand
One more passing shipwreck
Drowning on dry land

And I don’t know how I got here
But thank you for the ride
I’ll see you somewhere sometime
If I don’t have time to hide

Singing for your supper
Isn’t half the fun it seems
It’s a pint or five of courage
And a box of broken dreams

Posted by: David Harley | August 1, 2019

Oh Death [demo]

Not sure the world needs my version of this, but playing with an arrangement anyway, in case I ever take the resonator out in public again… Recorded by Charley Patton and Bertha Lee in 1934. There’s a better than halfway-decent version by Jo-Ann Kelly and Tony McPhee, too. There’s a John Renbourn song with the same name, by the way, but that’s very different.

David Harley

Posted by: David Harley | August 1, 2019

Weeping Willow (Corrina)

This is a song I learned from Michael Cooney many decades ago. He told me recently that he learned it partly from Guy Carawan and partly from Bess Lomax Hawes, but had changed it around a lot. As have I (not least by making a slide piece out of it). It’s the folk process, folks. I particularly like the last verse, which also occurs in Robert Brown’s ‘James Alley Blues’ and Judy Roderick’s ‘Born In The Country’, which is based on Brown’s song.

David Harley

Posted by: David Harley | August 1, 2019

Slide impro

I haven’t played slide anywhere for ages, but had a sudden rush of blood to the resonator.  While I’m in a blues-y mood, I might add a couple more slide-y things.

David Harley

Posted by: David Harley | July 31, 2019

Pick My Pocket [demo]

Pick My Pocket (Harley)

Got no fare / For a boat or plane

I got shoes to walk / But I’m here just the same

Buddy, you can pick my pocket / Got no greens to lose

Just a handful of empty / And a head full of blues

 

I keep looking for a highway / I can make it down alone

With every hobo, sewer rat / And rolling stone

Buddy, you can pick my pocket / Got no greens to lose

Just a handful of empty / And a head full of blues

 

I’ve got a new way of spelling / Ecstasy

E is for Exit / And the rest is blowing free

Buddy, you can pick my pocket / Got no greens to lose

Just a handful of empty / And a head full of blues

Just a hat full of empty  / And a guitar full of blues

(c) David Harley 1972

Posted by: David Harley | July 1, 2019

Before I fall [early demo]

 

later demo:

Before I fall (Harley) Copyright 1982

I know I can be clumsy / I’m hamfisted as they come
I’m blessed with two left feet / And my fingers are all thumbs
But I can tie my own bootlaces / I can use a knife and fork
I get there in my own time / And if I can’t run I’ll walk

I don’t need a nanny or a minder and if I can’t cope, I’ll call
But please don’t pick me up (x3) before I fall

I know I tend to stammer / And my tongue gets tied in knots
I get confused and nervous / Tripping over my own thoughts
But I’ll make up my own mind / If I’m wrong I’ll take the blame
And I can finish my own sentences / Thank you all the same

I don’t need an interpreter and if I ever do, I’ll call
Only please don’t pick me up (x3) Before I fall

I’m defensive and I’m obstinate / When things I say and do
Turn out upside down and in reverse / I may get mad at you
As well as me, but I’m sorry / And I hope you understand
I appreciate your putting up / With me the way I am

I’m trying to do better, for you, most of all
Only please don’t pick me up (x3) before I fall

 

Posted by: David Harley | June 30, 2019

true confessions

rough sketch with high-strung guitar instead of normal acoustic

and same for One Step Away

Posted by: David Harley | June 27, 2019

Crossing The Bar [Very rough demo]

A work in progress. A well-known poem of 1889 by Alfred, Lord Tennyson. A ‘moaning’ noise is characteristic of a harbour sandbar when the tide is  low and the water may too turbulent for a boat to put out to sea across it in safety. Kingsley’s ‘Three Fishers’ – set to music by John Hullah as recorded by Joan Baez and many others –  uses the image of the moaning of the harbour shoal to represent danger.  Tennyson’s poem uses it as the starting point for describing the final passing from life into death. It’s reported that before his death three years later he asked his son Hallam to have the poem placed at the end of all future editions of his verse.

Since then, the poem has been a popular choice for funerals, whether as a reading or in a musical setting such as the one by Sir Hubert Parry, the choral setting by Ian Assersohn, or the very popular folkier tune by Rani Arbo. In fact, I read it at my own mother’s funeral in 2018, but always felt that I wanted to set it to music myself for an ongoing project. This is the second draft, and it’s sounding nearer to what I wanted.

Sunset and evening star,
      And one clear call for me!
And may there be no moaning of the bar,
      When I put out to sea,
   But such a tide as moving seems asleep,
      Too full for sound and foam,
When that which drew from out the boundless deep
      Turns again home.
   Twilight and evening bell,
      And after that the dark!
And may there be no sadness of farewell,
      When I embark;
   For tho’ from out our bourne of Time and Place
      The flood may bear me far,
I hope to see my Pilot face to face
      When I have crost the bar.
David Harley
Posted by: David Harley | June 7, 2019

Rain demo (June 7th 2019)

Sketch for an unaccompanied version:

And a sketch for an accompanied version:

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