Posted by: David Harley | July 17, 2014

Weeping Willow/Corrina

This demo is an interpretation of a song I learned many years ago from Michael Cooney by way of banjo player Merrion Wood. Oddly enough, Bert Jansch also recorded a slightly similar ‘Weeping Willow Blues’, and both used 12-string for their recordings. Just to be awkward, I play it slide. :)

The ‘Sometimes I think you’re too sweet to die…’ verse is also associated with Rabbit Brown’s ‘James Alley Blues’, widely known through Judy Roderick’s rewrite ‘Born in the Country’.

David Harley
Small Blue-Green World

Posted by: David Harley | July 17, 2014

Born in the Country

This demo track is to all intents and purposes a reinterpretation of a rewrite by Judy Roderick of James Alley Blues, by Richard ‘Rabbit’ Brown. She recorded it on her 2nd album, the rather wonderful ‘Woman Blue‘, in 1965. The version here is mostly the same lyrically but adjusted slightly for a male singer. In addition, rather than repeat her first verse at the end as Judy did, I’ve used a similar but not identical verse from James Alley Blues as my last verse.

The lyrics of a version by Robin Greenstein are very similar to Judy Roderick’s, but include another verse from James Alley Blues. Oddly enough, I have a version of  ‘Corinna’ that includes (more or less) the same verse.

I may well add some instruments to this version at some point. I’m also thinking about recording something closer to Rabbit Brown’s version, with a significantly different arrangement. The original has appeared on many anthologies and I also found it on YouTube here.

David Harley
Small Blue-Green World

Posted by: David Harley | May 18, 2014

The Doomsday Gig

“…you sell a lot more records
when you’re permanently depressed…”
(Peter Buckley-Hill – apologies if I’ve misquoted. I can’t remember the name of the song, either.)

Recently I was thrown into a state somewhere between rage and gloom when one of my songs – admittedly not a particularly cheerful example of my oeuvre – was roundly and publicly condemned by two people for being depressing. (Well, we can go into debates another time about session etiquette, whether social comment is folk, and whether no-one should ever write anything that isn’t upbeat.)

After the gloom wore off, I started contemplating going back to that session with a handful of the gloomiest songs I know (of) and realized that without even looking at my own songs, I could easily find enough material to empty the Albert Hall several times over.

  • David Ackles: His Name is Andrew
  • Bob Dylan: It’s Alright Ma (I’m Only Bleeding)
  • Phil Ochs: Crucifixion
  • Lord Gregory. The Recruited Collier.  And about a third of all the Scots ballads I’ve ever been tempted to fake an accent to sing.
  • Richard Thompson: The End of the Rainbow (or possibly Never Again, or Poor Ditching Boy, or Stuck on the Treadmill, or even Pavanne)
  • Blind Lemon Jefferson: See That My Grave is Kept Clean
  • One of several songs called Oh Death
  • Lay this body down
  • Hank Williams: I’m so Lonesome I could Cry, or Wedding Bells, or Lonesome Whistle
  • The Everlys (don’t know offhand who wrote these): Ebony Eyes, or Take a Message to Mary, or Crying in the Rain, or Rocking Alone in an Old Rocking Chair, or I’m Just Here to Get My Baby Out of Jail
  • Leonard Cohen: Avalanche, or Dress Rehearsal Rag, or One Of Us Cannot Be Wrong – I’m sure I could think of one or two more…
  • Brother Can You Spare a Dime?
  • Nic Jones: Ruins by the Shore
  • Bruce Springsteen: Brothers Under the Bridge
  • The Lyke Wake Dirge (probably the tune Britten used rather than the one YT et al recorded: any French horn players around Ludlow?)
  • Don’t they know it’s the end of the world? (Kent-Dee)
  • Texas Girl at the Funeral of her Father (Randy Newman)
  • Jackson C. Frank: Here Come the Blues (Blues Run the Game would be a contender, too)
  • Fred Neil: Blues on the Ceiling
  • Neil Young: A Man Needs a Maid or After the Goldrush.
  • Bill Caddick: Oller Boller (am I the only person in the world who loves this song?)
  • Steve Goodman: Penny Evans (I don’t have a problem switching gender for a good song: see Recruited Collier).
  • Ann Briggs: Go Your Way, My Love
  • Weary Blues
  • Eric Bogle: No Man’s Land or The Band Played Waltzing Matilda

You know, I really want to hear that set. And I was starting to think about a running order, but I kept bursting into tears.

David Harley

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