The jailer/the train (demo) revisited

Words and music (c) David Harley 2017

Backup:

There’s a video version here:

And here’s the audio capture from the video:

The train will soon be leaving
And the man says ‘all aboard’
But you never leave the platform
And you never cut the cord

Most days you think of leaving
But he’ll always talk you round
His words will talk you into silence
And his arms will hold you down

You need so much to leave him
But there’s no one you can phone
There’s no ticket in your pocket
And you’ve no money of your own

Sometimes he tells you that you’re stupid
Sometimes he tells you that you’re ill
You dream of breaking free
And yet you don’t believe you will

He knows just where you are
Every moment of the day
He hears the thoughts inside your head
He owns the very words you say

He says that you’re his lover
And that’s all you’ll ever be
But you know he’s your jailer
And he’ll never set you free

Sometimes he’ll loosen your shackles
But you’re locked inside his head
And you’ve never found the way
To leave his arms or leave his bed

There’s nowhere you can go
And there’s nothing you can say
Because he knows you’ll never leave him
And that’s exactly why you stay

[break]

The train will soon be leaving
And the man says ‘all aboard’
But you never leave the platform
And you never cut the cord

Most days you think of leaving
But he’ll always talk you round
His words will talk you into silence
And his arms will hold you down

You need so much to leave him
But there’s no one you can phone
There’s no ticket in your pocket
And you’ve no money of your own

 

Song of Chivalry take 2

One-take version. I may augment the guitar at some point, though.

I’ve performed this many times at poetry gigs, but always intended to write a tune for it, and this year one finally came along…

David Harley

Tears of Morning

Full version:

Backup:

Remastered for volume:

Backup:

Version recorded for Ian Semple’s programme on CoastFM, but not actually used.

Tears of Morning (Housman-Harley)

Another Housman setting: words from Last Poems. I’ve followed the example of Michael Raven in using two separate (but consecutive) verses that are clearly connected thematically and in form, at least as far as this stand-alone song is concerned.

XXVI

The half-moon westers low, my love,
And the wind brings up the rain;
And wide apart lie we, my love,
And seas between the twain.

I know not if it rains, my love,
In the land where you do lie;
And oh, so sound you sleep, my love,
You know no more than I.

XXVII

The sigh that heaves the grasses
Whence thou wilt never rise
Is of the air that passes
And knows not if it sighs.

The diamond tears adorning
Thy low mound on the lea,
Those are the tears of morning,
That weeps, but not for thee.