Posted by: David Harley | September 16, 2020

Swifts and Swans (Yeats-Harley)

All rights reserved.

A lengthy piece that combines my guitar solo ‘Swifts’ with my setting of a poem by W.B. Yeats – ‘The Wild Swans at Coole’.

Backup:

For this more recent version, the guitar sounds better but it’s not the best I’ve ever sung it. And there are some bits of the guitar part in the older version I like. I guess the answer is to have yet another shot at it, but in the meantime…

Backup:

And here’s the poem.

The Wild Swans at Coole

The trees are in their autumn beauty,
The woodland paths are dry,
Under the October twilight the water
Mirrors a still sky;
Upon the brimming water among the stones
Are nine-and-fifty swans.

The nineteenth autumn has come upon me
Since I first made my count;
I saw, before I had well finished,
All suddenly mount
And scatter wheeling in great broken rings
Upon their clamorous wings.

I have looked upon those brilliant creatures,
And now my heart is sore.
All’s changed since I, hearing at twilight,
The first time on this shore,
The bell-beat of their wings above my head,
Trod with a lighter tread.

Unwearied still, lover by lover,
They paddle in the cold
Companionable streams or climb the air;
Their hearts have not grown old;
Passion or conquest, wander where they will,
Attend upon them still.

But now they drift on the still water,
Mysterious, beautiful;
Among what rushes will they build,
By what lake’s edge or pool
Delight men’s eyes when I awake some day
To find they have flown away?

Posted by: David Harley | September 16, 2020

Scratch one lover revisited

Words & Music (c) David Harley

1980s studio version (2nd guitar is Don MacLeod)

Backup:

A couple of more recent versions here. 

How does it feel to be proved right
When everything just fell apart?
Does it buy you sleep through long cold nights?
Does it ease your aching heart?

Score two points, scratch one lover:
You said it’s too good to be true.
Why don’t you run back to your mother?
She always knows what’s best for you.

 

All those black moods and jealousies,
Now you know they were justified.
She looks so happy, holding hands with someone else:
Was it worth it, being right?

Hold on to all that righteous anger
But don’t forget who set it up for her.
If she’s easier in someone else’s arms,
She might be telling you you were unfair.

Score two points, scratch one lover:
Let it ride, it’s just the gypsy’s curse.
But people tend to give you what you ask for:
Maybe you only got what you deserved

Posted by: David Harley | September 16, 2020

Quartet for One

This does not get its name because I’m arrogant enough to believe that I’m the only person in the world capable of playing this as a guitar solo. (I can imagine John Renbourn choking on his ambrosia at this moment at the very thought.)

What actually happened is that I was watching ‘Quartet’ on the TV – a dangerous exercise, because it always makes me wish I had a more operatic voice (or even a bearable voice) – and when it finished, I needed a little more music, so I picked up a guitar. I liked the somewhat random thing I found myself playing so much that I wandered back into the office and switched on the recording gear, and was in the zone for at least five minutes.

It will require editing and further polishing (and possibly an overdub or two), but I think it has a lot of potential. I was playing my Baby Taylor in Nashville tuning.

Replacement version: a bit tighter, but it could still be (quite a lot) shorter.

backup:

David Harley

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