Posted by: David Harley | February 15, 2022

Links to Albums Available

This site hasn’t really kept up with the ridiculous number of my album and single releases in the last year or two. No, I don’t expect them to keep me in my old age. If someone occasionally buys an album or even a track, that’s nice, but it’s really more about getting as many of the songs as possible out there in some reasonably structured, (hopefully) semi-permanent form. Just in case someone, sometime likes them enough to dig out the obscurities.

So here is a list of the Harley albums and singles currently available including content summaries These releases replace cassette and CD albums previously available  (which is how they come to be released in such a short timeframe), and are at present digital-only releases. Right now, some of them are still only available from Bandcamp, but I’m working on that.  Some may be the basis in due course for multi-media projects: for instance, I’m currently working on a music and verse project that will draw on some of the instrumental tracks from Back In Free Fall and Still In Free Fall, and an expanded multi-media version of Tears of Morning. The list below is just a barebones list of releases. (The links here are to the Bandcamp albums – the Available Albums link includes further links to other sources such as Apple Music.

  • Strictly Off The Record‘ and ‘Further Off The Record‘ are slightly different ‘greatest hits’ collections. Admittedly I don’t actually have any hits, but these are the tracks/songs that have been listened to most, or have had radio play, or get asked for during live performances, or that other performers have expressed an interest in learning. They’re a good place to start (and finish, in most cases…) as they include 20 or so songs that are a pretty good cross-section of my better recordings.
  • Moonflow VI was the first single. It’s an extended version of an instrumental included on Tears of Morning.
  • Tears of Morning is a collection of songs with a Shropshire connection, including settings of verse by A.E. Housman and ‘W.H.B.’
  • The single One Step Away (From The Blues) is one of a handful of tracks recorded for an album by Bob Theil, Don MacLeod, Pat Orchard, Bob Cairns and myself in the 80s. Unfortunately, the album was never released.
  • The EP ‘View From The Top‘ features Don MacLeod, and consists of songs we perform (occasionally!) as a duo, written by us individually or together.
  • The EP ‘Hands of the Craftsman‘ consists of songs and verse from the 1980 review ‘Nice…If You Can Get It’, directed by Margaret Ford, for which I wrote most of the original music.
  • The Game Of London‘ consists of stories in song of the city in which I spent some 25 years of my life.
  • Ten Percent Blues‘ has tracks that mostly have a touch of blues, including a look back or two at my very short career on the road.
  • The single: ‘How To Say Goodbye‘ is the song with which I considered embarrassing my daughter at her wedding. :)
  • Dinosaur Tracks‘ are mostly of demo quality, quite a lot leaning towards blues.
  • Cold Iron‘ puts together most of my songs of social commentary.
  • Kitsch And Canoodle‘ – songs of love, lust and obsession. Probably describes most of my current repertoire.
  • Upcountry‘ – songs with a loosely rural theme, some in a country/blues/folk idiom, plus some settings of verse by Kipling, Housman and Yeats.
  • Single: ‘Song Of Chivalry‘ – originally posted to try out a different distributor, but same version subsequently added to Bandcamp. NB this is not the same version as the one on Tears of Morning.
  • Back In Free Fall – Part 1 of a collection of instrumentals that will be the musical backbone of a music-and-poetry project.
  • Single: Back In Free Fall – a guitar piece played on my electro-classic, with a vaguely Renaissance feel.
  • Still In Free Fall – Part 2 of the instrumental collection.
  • Born To Be Mild: 1st Demo Album – first of a set of albums where the tracks are not really commercial-quality recordings, but I’m putting them out because I think the songs are better than the performances. If and when my health improves, I’ll certainly revisit some of them. The first batch is mostly my settings to verse by Housman, Kipling and Hood.
  •  The Duke Of Haphazard: 2nd Demo Album – second in the set…
  •  The Old Man Laughs – not part of the demo collection.
  • Album: Demo Album 3 – still under construction.
  • Album: Nobody’s Song – still under construction.

David A. Harley

Posted by: David Harley | February 4, 2022

The Lent Lily

The Lent (or Lenten) Lily is better known today as the daffodil.

Words by A.E. Housman (‘A Shropshire Lad’ XXIX), tune by me.

Backup:

‘Tis spring; come out to ramble
The hilly brakes around,
For under thorn and bramble
About the hollow ground
The primroses are found.

And there’s the windflower chilly
With all the winds at play,
And there’s the Lenten lily
That has not long to stay
And dies on Easter day.

And since till girls go maying
You find the primrose still,
And find the windflower playing
With every wind at will,
But not the daffodil,

Bring baskets now, and sally
Upon the spring’s array,
And bear from hill and valley
The daffodil away
That dies on Easter day.

David Harley

Posted by: David Harley | February 4, 2022

Loveliest of Trees

Words by A.E. Housman (A Shropshire Lad II), tune traditional arranged and adapted by David A. Harley. It’s more or less the A tune from the reel ‘The Rose Tree’. At some point I’ll probably combine it with a version of the reel.

Taster for an album.

Backup:

Loveliest of trees, the cherry now
Is hung with bloom along the bough,
And stands about the woodland ride
Wearing white for Eastertide.

Now, of my threescore years and ten,
Twenty will not come again,
And take from seventy springs a score,
It only leaves me fifty more.

And since to look at things in bloom
Fifty springs are little room,
About the woodlands I will go
To see the cherry hung with snow.

David Harley

Posted by: David Harley | January 18, 2022

Back In Free Fall

A taster of sorts for the forthcoming parallel instrumental and verse project. ‘Back In Free Fall’ was (unusually for me) a quasi-classical improvisation played on my Yamaha electro-classic, just slightly cleaned up.

Backup copy:

David Harley

Posted by: David Harley | January 17, 2022

Offers of Articles

I’m not expecting this post to make any difference, but here it is anyway.

I’m not looking for external articles for this blog, though I can’t say for sure that there’s no way I’d ever consider one.

However, it’s very unlikely indeed that I’ll ever consider an external article that has no relevance to this blog. And certainly not if it’s blatant spam.

We now return you to your normal programming.

David Harley

Posted by: David Harley | October 31, 2021

‘Further Off The Record’ album

Not my most recent album, but you might call this my Greatest Hits album, if I’d ever had any hits. It does include the four tracks released so far as singles, though, and most of the tracks are remixed and/or remastered. In fact, these are all songs that have attracted airplay in the UK and/or US, been requested at live events, or had significant numbers of plays where streamed or available in various video and audio formats. And anyway, I like ’em! Available from Apple Music, Spotify, iTunes etc.  

See also Strictly Off The Record, on Bandcamp, with an extra track!

Read More…

Posted by: David Harley | October 28, 2021

New Single

Actually a different take on ‘Song of Chivalry’: not a major new project, but testing the water with a different distributor before inflicting a ‘Greatest Hits’ (irony intended) album on the world.

https://distrokid.com/hyperfollow/davidharley/song-of-chivalry

David Harley

Posted by: David Harley | September 25, 2021

New album – ‘Upcountry’

The album ‘Upcountry‘ combines songs that lean towards Americana, blues and even country with more ‘traditional’ material including settings of verse by Housman, Kipling and Yeats, plus a couple of songs about Cornwall, where I now live. All songs by me except where noted.

1. A Smuggler’s Song (Kipling-Harley) 03:14
2. Wearing Out My Shoes 02:26
3. This Guitar (Just Plays The Blues) 02:17
4. Cornish Ghosts 03:39
5. Hannah’s Gone Upcountry 03:44
6. The Road To Frenchman’s Creek 03:27
7. Whistle While You Walk 03:53
8. Janey 03:22
9. Gooseberry Blues 01:48
10. Aftermath/Postcards 05:29
11. Anywhere 03:12
12. A Rainy Day Blues 02:24
13. Tears of Morning (Housman-Harley) 02:46
14. The Wild Swans at Coole (Yeats-Harley) 06:33
15. The Pilgrim (Yeats-Harley) 02:24
16. Woods In Moonlight 05:22

 

Posted by: David Harley | September 2, 2021

Blue Remembered Hills – early demo

I wasn’t particularly planning to do any more Housman settings, but this one suddenly demanded my attention. It does require more work – some guitar, at least – but I think the melody is mostly there. And if you’re going to set Housman, I suppose you have to consider the ‘Land of lost content’. And having (half) done this one, there are two or three more I think I’d still like to put music to. We’ll see.

Backup:

‘A Shropshire Lad’ XL

Into my heart an air that kills
From yon far country blows:
What are those blue remembered hills,
What spires, what farms are those?

That is the land of lost content,
I see it shining plain,
The happy highways where I went
And cannot come again.

David Harley

Posted by: David Harley | August 31, 2021

Woods in Moonlight – demo

You might call this a sketch for the end of summer… Definitely not intended as the final version. By way of an experiment, the guitar here is tuned to ‘B Standard’, like a baritone guitar.

Backup:

Sometimes your words at midnight stream through my memory
But your face is growing dimmer: I don’t know how it can be
That you’re gone from my life, yet you still haunt my dreams
And daybreak finds me wondering just what it all could mean

Walking through the woods in moonlight, there are no words left to say
I stumble blindly through the shadow as the long years slip away
And only now I realize that it’s too late to count the cost
And I can only write those words to make my peace with those I’ve lost

So many nights lost, lamenting all the days
Opportunity knocked, but that same night it ran away
Your voice in my ear, your breath upon my skin
Closer than sweat, warmer than sin

Another morning broken, and reconstruction fails
Once more my train of thought has gone completely off the rails
But soon the world will turn without us, and new days won’t be broken
By the words we should have said or the ones best left unspoken

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