The lyric is from Housman’s ‘A Shropshire Lad’ (LII), the tune is mine. I only recently realized that I hadn’t put it on any of my blogs. It’s likely to reappear shortly on an album, though.
[Backup]
Far in a western brookland
That bred me long ago
The poplars stand and tremble
By pools I used to know.
There, in the windless night-time,
The wanderer, marvelling why,
Halts on the bridge to hearken
How soft the poplars sigh.
He hears: long since forgotten
In fields where I was known,
Here I lie down in London
And turn to rest alone.
There, by the starlit fences,
The wanderer halts and hears
My soul that lingers sighing
About the glimmering weirs.
A little guitar duet I improvised a while ago. It actually evolved from a multitracked version of Salley Gardens. I couldn’t get the tone I wanted from the main melody, but really liked some of the fills and frills, so here they are stitched into a short guitar piece. Maybe I’ll go back to it sometime and add some more layers as I did with Moonflow.
Back in the Dark Ages, I used to spend a lot of time sitting in the Refectory Lounge at what was then called the University College of North Wales, Bangor. No doubt I should have been in the library, but was likelier to be mistreating a guitar, often in the company of other guitar addicts, including David Higgen, who was better known in those days as Mex. (It must have been a student thing that no one called David should be known by their real name, since I was mostly known at that time as Bert.)
I’ve lost touch with most of the people I knew then apart from Sally Goddard (with whom I used to sing, and who visits my part of Cornwall quite regularly). I’d lost touch with Mex, too, but when I mentioned his name in a blog article, he picked up on it and contacted me, which is nice. During one of our recent exchanges, I mentioned this thing that we used to do as a rather flippant guitar duet. He didn’t remember it, but started to nag me to include it here. I don’t remember exactly how it went (or even what we called it, if we called it anything at all, and I can’t remember Mex’s riff either), but it went something like this. I suppose I ought to have another go to correct a couple of bits of slightly suspect notes and timing (but as Broonzy said, there’s no such thing as a strict 12-bar; or something like that, though I suspect that he had in mind putting in an extra bar, rather than an extra beat). I guess I should put in a second guitar part in at some time, but in the meantime…
I’m not planning on putting it on an album, but never say never.
David Harley Words & Music 
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