Convoy II

[Borrowed from Parodies Regained]

Or, just when you thought it was safe to order another pint of gold top…

Even if you remember the 1970s song by C.W. McCall or the Sam Peckinpah movie, you may not be aware of the projected follow-up movie, where the action was to be moved to a milk round in West London. If you don’t remember the song, the movie or milk floats, this won’t mean a lot to you.

It was half-past five: I was half alive
And wishing I was back in bed
I’d got 600 up of Silver Top
And a ton and a half of Red.
We were nose-to-tail down Hewer Street
Clear down to Ladbroke Grove,
When Tel came down and checked us off:
He said ‘Let those Gold Tops roll…’

By the time I hit the Westway lights
My wheels began to drag:
By Shepherds Bush I knew the score
So I dropped for tea and a fag.
Halfway round Sulgrave
I had to hit that horn:
I said ‘Big D, this is Catwurzle:
Me flaming float’s broke down…’

He said ‘Hold it son, I’m having tea:
Call the engineers…’
So I did, and they assured me
They’d be out before next year.
I’d pushed her halfway round Brook Green
When I heard a klaxon blow:
It was Charlie in a Morrison,
With another float in tow.

Well, mercy’s sake, good buddy,
Looks like we got us a convoy…

We hit the Broadway well past 12
And swung off down King’s Mall;
Doubled up Ashcroft three floors each
In 15 minutes flat.
By the time we left Riverside
We’d four more floats in hand
Plus three from Express, four from U.D.
And Ted in a Commer van.

“Catwurzle, there’s a 266 bus trying to cut across to Butterwick, come on back.”
“Tell him to get in line, we need all the help we can get…”

We hit Wood Lane three abreast
And those Bears began to snarl,
But they let us through since we had along
Three ambulances from St. Charles.
We crawled up Barlby 90 strong,
And still we picked up more:
two bread vans, three taxis,
12 Hell’s Angels and a van from the GPO.
Tel passed us by St. Marks and screamed
‘You’ll all be on the dole!’
But we carved him up and headed home:
I said ‘let those yoghurts roll – ten four…’

Angel

Remastered:

Backup:

Tell me something that troubles me:
When you look at me, what do you see
To take a chance on a three-time loser like me?

You talk of trusting and sometimes I do
But what makes an angel like you
Waste time on a broken-down hero like me?

I can’t believe you’d want to keep going bail
For a shop-soiled knight errant with trouble on his trail

 [break]

 It makes no sense that you’d want to keep going bail
For an ex-crusader with a hell-hound on this tail

 Anyway when I see you again
I’ll be praying just the same
That you still have time for a three-time loser like me

 Words & Music by David Harley, copyright 1975

Wearing out my shoes

Words and music by David Harley, copyright 1975

Backup:

I’ve resented it for decades when people have told me that I’m ‘influenced’ by Bert Jansch. I’m sure I’ve been influenced by many people, and I’d love to be able to play some of Bert’s songs, though there are only a couple I’ve ever sung, but I haven’t intentionally copied anyone in many decades. While I’m still in awe of his guitar-playing, I’m a songwriter with my own voice and guitar technique, and I tend to think that when people want to pigeonhole you as ‘copying’ someone else, that’s either just laziness or a bad case of ‘you’re no better than me, you’re just a copyist…’

Anyway, I was rather surprised to revisit this and notice that the vocal here was quite Jansch-ish in places. Especially as Bert didn’t actually do a lot of blues, that I remember: maybe I’d been listening to the album (‘Nicola’) on which he did do a lyrically weird version of Corinna/Weeping Willow and a slightly more conventional ‘Come Back Baby’. That said, the guitar here sounds quite John Renbourn/Wizz Jones, rather than Jansch – I think I hear a little bit of Al Jones there, too – but with some tropes I’m pretty sure are all mine … But I’m certainly not ashamed of it, and probably couldn’t match it nowadays.

The words are quite blues-pastiche, but not based on any older song in particular. Not a song I’d write now, but I think it works OK. Recorded on domestic equipment in the early 80s, though I’m pretty sure I was already singing it in the mid-70s, around the time I started singing much more of my own stuff. .

David Harley