Call yourself apprentice?

Backup:

Around the start of the 80s I wrote some dialogue and monologues and most of the original music for the ‘Nice (if you can get it)’ revue, directed by Margaret Ford. At the time it was put together and (briefly) toured, I was working by day for a company that built staircases (mostly). This song is based on my personal experience of working in the woodworking industry, though I was a wood machinist, not a carpenter.

In a recent conversation, I expressed some regret that I never got to do something like the radio ballads put together by Ewan MacColl, Peggy Seeger, Charles Parker et al, then realized that the revue was actually quite near to that concept.

Ian Campbell also wrote some songs in that idiom, including one called The Apprentice’s Song, but it’s about gas fitters. Mine is about an apprentice carpenter, and I’ve changed the title to avoid confusion with Ian’s song.

Originally a poem of sorts, but re-recorded as a song after a discussion about that harsh little joke in the third verse. I honestly can’t remember if it was used in the revue – it was written around that time, but maybe not soon enough to be included. Like ‘Long Stand‘, it touches on the uneasy relationship between the old hand and the apprentice – while hazing or snipe-hunting is a particularly unpleasant way of keeping the young ‘uns in their place, it’s not always considered the duty of the master to encourage the apprentice.

The tune is now mostly associated with ‘Tramps and Hawkers’, a song that seems to have been written by ‘Besom Jimmy’ in the late 19th century, though the tune is far older than that. (Ewan MacColl used the same tune for England’s Motorways, from the radio ballad ‘Song of a Road’, about the people who built the M1.)

Fetch the rolls: make the tea: then grab the end of that
And sand it till your fingers bleed, if you think you’ve planed it flat.
Call yourself apprentice? Lad, I’d be ashamed
If I knew so little, to be called by such a name

Never mind the splinters: In a year or two
You’ll have quite forgotten that they ever bothered you.
Hands as hard as English oak, muscle, skill and guile:
That’s what makes a craftsman; but not you, for a while

Cut yourself, you silly sod? Take care, if you please,
And don’t bleed on the timber: do you think it grows on trees?
Call yourself a craftsman? No, lad, never you.
Though if you try your hardest, one day you might scrape through

So you’ve got your piece of paper? I hope I’ve taught you well,
And I won’t deny you’re willing: no doubt time will tell.
Call yourself a craftsman? That’s as may well be…
Another year, or five, or ten, and then perhaps we’ll see…

David Harley

Long Cigarettes, Cheap Red Wine revisited

This is a very old song (early 1970s) I keep revisiting. Old in years, but perhaps not in terms of maturity. This time I went back to it because Ian Semple played a version on his radio show on Coast FM (thanks, Ian!) that I’d not only forgotten I’d cut, but also couldn’t find on my laptop. This version has a slightly trimmed version of the lengthy instrumental (much more recent) with which it starts, and a different take on the actual song. It’s essentially the same track that I used on the Ten Percent Blues album, only I didn’t use the instrumental for that album.

Backup version:

Unusually for me, the guitar is in open G (which I did use a lot more in those days, but mostly for slide). I think I originally wrote it on banjo, which might explain a lot.  The instrumental might reappear on a poetry/music project.

You sing your songs, the stage is bare
There isn’t anyone out there
Sometimes it almost seems that way
And I run out of songs to play

Forget the muzak and the beer
The open mouths, the grudging cheers

There isn’t any better way
To freeload your life away

Back in 1969
I lost someone I thought was mine
That’s the price I had to pay
When I ran out of songs to play

Goodbye, old friend, I have to leave
To prove to myself that I’m still free
I’ll see you in a year or so
And buy the round you say I owe

The long cigarettes, the cheap red wine
The melodies you say are mine
If you find somewhere to be
I hope you’ll save a place for me

David Harley