The barley and the rye

Trying out some new studio gear, I had an unexpectedly folkie moment. A song collected in Norfolk from Harry Cox by E.J. Moeran in 1927.

backup:

If I remember correctly, I first heard it sung by Martin Carthy, who I think sang it unaccompanied. I’ve used a more or less spontaneous acoustic guitar accompaniment here, though. I need to get used to it, but that’s probably going to be basis for the final version. Ironically, the guitar is somewhat Carthy-esque.

I read somewhere that Peter Bellamy used to threaten to sing it with two verses only, regarding the third verse as an anti-climax. As it were… It works for me, either way, but I included the third verse here and will probably continue to, if I ever sing it live.

BARLEY AND THE RYE.
From the singing of Harry Cox (according to the Digital Tradition)

It’s of an old country farmer he lived in the West Country
And he had the prettiest little wife that ever I did see
And a young man went a-courting her when the old man wasn’t nigh
Oft times they would tumble amongst the barley and the rye

When the old man woke in the morning he found himself alone
He looked out of the window and saw his wife in the corn
And the young man lay beside her, it caused the old man to cry
He cried, “Wife , I wonder at you for the spoiling of my rye.”

She cried, “Husband “she cried, “Husband, it’s like I never done before
For if you have got one friend I have another one in store
He’s a friend love will not deceive you if you will him employ
He’s got money enough to pay you for our barley and our rye

Reuben’s Train [arranged and adapted Harley]

Backup:

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I came across this accidentally, and it was much better than I remembered. Still, I intend to get back to it.

David Harley

never look back [demo]

Something a little more experimental than usual. Well, more synth and dissonance, anyway. Underneath, there’s quite a simple song. But then, I’m a simple person…

Words & Music by David Harley, copyright 1975. Guitar, vocals, synth by DH.

Backup:

 

We have ourselves and the moment/and can’t that be enough?
After all, we are adults/and we say that we’re in love

Surely there’s a guardian angel/to forgive us this one sin
But you lie by my side taking care not to break/this fragile web of limbs

And you never look back when you leave me/I know looking back after you
But we bleed when we slash at each other/& I’d say that was love, wouldn’t you?

And I’m sick of the ache in my mind/when you try to smile and don’t know the way
I think sometimes when I look at us both/you could almost teach me to pray

David Harley