By Mike Wistow for Folking.com, a lovely review of my book So Sound You Sleep, available from Amazon here. (As paperback or as eBook.)

By Mike Wistow for Folking.com, a lovely review of my book So Sound You Sleep, available from Amazon here. (As paperback or as eBook.)

This is based on an 18th century lyric protesting against the Inclosure Acts, usually called ‘The Goose And The Common’ or ‘They hang the man and flog the woman’. I put a tune to a version of that lyric some time ago, and it’s on my ‘Cold Iron‘ album. While the privatization of common and/or waste land is more or less a done deal, the underlying topic of those who govern doing so for their own benefit rather than that of the people still has a very contemporary resonance. The lyric below makes that link more explicit: I don’t know that the world needs it, but somehow it demanded to be written… I don’t know that I’ll perform it as a song, though, as I’m already performing the older version.
The law demands that we atone
When we sell things we do not own
Yet lets MPs and Lords so fine
To sell off what is yours and mine
The poor and stateless don’t escape
When they conspire the law to break
This must be so, but we all endure
Those who conspire to make the law
You and I do not escape the web
Of laws that profit from us, the plebs
But MPs and their cronies too
Use or ignore them as it suits
The law forbids both man and woman
To protest corruption in the Commons
And so we all will Justice lack
Till we can vote to take it back…
David Harley
Original artwork by Kate Morley
Guitars, bouzouki (don’t blink or you’ll miss it), vocals by David A. Harley
All words and music by David A. Harley except ‘Thou Art My Lute’ – words by Paul Laurence Dunbar, music by David A. Harley
All rights reserved.
A mixed bag, but slowly catching up with some of the songs I should have recorded properly years ago. Plus some lyrics that have only recently found a tune (notably the Falklands song, 40 years too late for most people to care), and yet another setting of a poem, this time by Paul Laurence Dunbar.
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